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Well There's Your Problem...

Plot Bunny
I printed out the manuscript for Goblin War this weekend (which was an adventure in itself), and I've just started making notes for revision.

Including Jig, I have 12 characters who are all significant enough to require development and their own plot arc in the book.

Yup. I had wondered why this book felt a little unwieldy...

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( 7 comments — Leave a comment )
[info]cuthulu wrote:
Nov. 27th, 2006 05:07 pm (UTC)
Thats it burn it ! Burn it ALL!!!!!!!

So what are you going to do? cut? or expand? or take the mystery box?
[info]jimhines wrote:
Nov. 27th, 2006 05:14 pm (UTC)
Burning is tempting, but right now I'm trying to do a lot more outlining and note-taking about each of these characters and precisely what path they'll follow. Give me a day or two to figure out if they'll all fit, or if some of 'em will be going away...
[info]jimhines wrote:
Nov. 27th, 2006 05:18 pm (UTC)
Spoke too soon. The elf is redundant in terms of plot arc and role in the story. Looks like he's going bye-bye.
[info]cuthulu wrote:
Nov. 27th, 2006 05:28 pm (UTC)
Thats for the best elves are icky and full of pomp.

...but they make a damn fine cookie.

Sometimes it hurts to nix a character...then again it is only an elf right? ^_^
[info]j_cheney wrote:
Nov. 28th, 2006 12:36 am (UTC)
Ooh, arc-juggling! Good luck. Time to break out the colored highlighters and paper clips.

I hate sending characters bye-bye. You never know when that's going to be the one that someone out there just loved.
[info]chris_gerrib wrote:
Nov. 29th, 2006 12:18 am (UTC)
OK, stupid writing question. How do you decide / know that a character is "important enough" to merit their own arc?
[info]jimhines wrote:
Nov. 29th, 2006 01:06 am (UTC)
Like a lot of things, it depends :-)

The first one I'm planning to cut is an elf character. He and the human princess both start out with a strong distrust and distaste for goblins, but as they observe Jig and eventually fight beside him, they both start to respect the goblins for their (odd) strengths and cleverness. They eventually stand up for Jig and the goblins against the king.

In other words, they both have pretty much the same character arc through the book. The princess is more important, because of her ties to book one and the human king, and the elf doesn't bring much by himself. He gives Jig a sword and allows me to make fun of elves, but I can do that without the character. So he's the first one to go.

But for those characters who stay, I try to go with the theory that if they're important enough to appear in the book, they're important enough to be a fully fleshed character, with motivations and goals that they either achieve or fail.

One of my editor's comments on Goblin Hero was that my head villain, who doesn't appear until the very end and is only in the book for a few pages, was pretty cardboard. She was right. The villain needed her own conflicts and struggles, even for those few pages.

Is this making sense? Generally the nameless characters aren't around long enough for a reader to care about, so they tend to be a bit more two-dimensional ... if only because you don't see them enough to see more than a glimpse of their character.

And I'm definitely babbling now, so I'll stop.
( 7 comments — Leave a comment )

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