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I asked on Twitter a while back why, if e-publishing is so successful, so many self-published e-authors are still promoting themselves by bashing commercial publishing.  Instead of, you know, promoting their writing.

To be clear, I’m not saying that all self-published authors do this.  But there are a number whose public personas spend most of their time going on about how awful commercial publishing is. And I finally figured out why their rhetoric bugs me so much.

It’s because this is the same stuff I’ve been hearing for years … only a decade ago, it was coming almost entirely from scammers and vanity presses.

Take the author who cited Snooki’s book as proof that commercial publishing is imploding.  New York is only interested in celebrity trash!  There’s no room for the truly original, so your best bet is to sign with Publish America e-publish your own work.  (See First Book Friday for a list of non-celebrity authors who sold their books to major publishers in recent years.)

Another e-published author criticized commercial publishing for being too slow.  Why wait two years for your book to come out when Publish America can release it within a week of signing the contract you could self-publish through Amazon and start earning 70% Kindle royalties within 90 days?  (Assuming you don’t care about things like editing, good cover art, pre-publication publicity, and so on.)

But commercial publishers want to rip you off!  Look at these e-published authors who are selling like crazy, getting 70% royalties and making tens of thousands of dollars every month.  It reminds me of the way Paolini used to be “proof” that self-publishing was the way to go.  By the same logic, don’t Rowling and Meyer prove that commercial publishing is the best choice?  Because that way you can become a bajillionaire like them, right?  (Paraphrase: Don’t use outliers to make your arguments.)

Whether it’s the old-school scammers or the new indie author with a grudge, we all know the real enemies are the evil, greedy, clueless editors and agents.  The people who are only in it for the money and wouldn’t know a good story if it hugged their face and planted a book that burst out of their chest a few days later.

The only problem being that this is bullshit.  Most editors love the field, and love discovering new writers and new stories.  The agents love signing new authors and watching their careers take off.  These are jobs that eat up a hell of a lot more than 40 hours a week, and if you’re just in it for the money, then you learn pretty quickly that you chose poorly.

Are there bad editors and agents?  Of course … just like there are lousy [insert any other career here].  What’s your point?

I’m not against e-publishing.  (Heck, I’m about 90% ready to e-publish Goblin Tales.)  I know not all e-published authors are taking this approach to self-promotion and publicity.  But to those who are, well, when so much of your playbook seems to have been swiped from Publish America and their ilk, I hope you’ll understand why I look elsewhere for worthwhile information and conversation.

Mirrored from Jim C. Hines.

Comments

( 65 comments — Leave a comment )
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beccastareyes
Feb. 14th, 2011 02:37 pm (UTC)
One nice thing about author and editor blogs is you see a lot about where the time between 'I finished writing Awesome Novel!' and 'New Book Day! Awesome Novel has hit the stores!' goes. And that many writers spend the time between those two events working on Daughter of Awesome Novel and Sexy and Exciting New Series.

It's easier to accept 'years' when you can see 'okay, we edit this puppy and get cover art and make sure marketing is talking up your book and see who can give us blurbs, and okay, check to make sure we spelled your main character's name right before we print this'.
jimhines
Feb. 14th, 2011 02:51 pm (UTC)
That's a good point. A lot of people don't understand the behind-the-scenes work that goes into turning a manuscript into an actual book, be it print or electronic.

Heck, even if publishing was instantaneous, it still takes a lot (not all) of us at least a year to turn out a good book. Eliminate the publishing delay, and you're still waiting for the authors to finish the next one.

"check to make sure we spelled your main character's name right before we print this..."

Not to mention the author's name on the cover!
(no subject) - elialshadowpine - Feb. 14th, 2011 04:03 pm (UTC) - Expand
(no subject) - beccastareyes - Feb. 14th, 2011 04:28 pm (UTC) - Expand
(no subject) - laurahcory1 - Feb. 14th, 2011 04:34 pm (UTC) - Expand
marthawells
Feb. 14th, 2011 02:42 pm (UTC)
The people who are only in it for the money and wouldn’t know a good story if it hugged their face and planted a book that burst out of their chest a few days later.

LOL! I needed that this morning.
sinboy
Feb. 14th, 2011 03:07 pm (UTC)
Good thing you didn't tell them about our parties where we celebrate all the dreams we NYers crush on a regular basis.

Whether it’s the old-school scammers or the new indie author with a grudge, we all know the real enemies are the evil, greedy, clueless editors and agents. The people who are only in it for the money and wouldn’t know a good story if it hugged their face and planted a book that burst out of their chest a few days later.

Ah, but Snooki's book still outsold most of my friend's recent releases. Those evil sorts are paid well because they release books that *sell*.

Edited at 2011-02-14 03:07 pm (UTC)
jimhines
Feb. 14th, 2011 03:09 pm (UTC)
"Those evil sorts are paid well because they release books that *sell*."

Oh, pah. Next you'll be telling me that publishing is some sort of *business* instead of being a magnificent dream-crushing factory spun from cotton candy and unicorn hair.
(no subject) - tsubaki_ny - Feb. 14th, 2011 03:18 pm (UTC) - Expand
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selling? - marycatelli - Feb. 14th, 2011 08:11 pm (UTC) - Expand
(no subject) - anghara - Feb. 16th, 2011 11:41 pm (UTC) - Expand
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sixteenbynine
Feb. 14th, 2011 03:11 pm (UTC)
"A lot of people don't understand the behind-the-scenes work that goes into turning a manuscript into an actual book, be it print or electronic."

And that's also why a big part of the efficiency of ebooks is more about efficiency of distribution, and not manufacturing. The amount of dosh you save putting out an ebook vs. a paper book isn't as big as it might seem when you take into account the whole process behind getting that book to market.

I review books on the side, and one of the publishers I talk to a great deal showed me how the major costs in producing any of their titles lie in acquisitions, licensing and translation. (They do a lot of titles in translation.) The actual cost of making the book comes at the end. Without a clean ms. ready to go to the printer's, they don't have much of anything.

I really don't think most writers understand the mechanics or finances of book publishing. I know for a long time I didn't -- just like my understanding of a great many other things was dead wrong -- and had the same distorted viewpoint as many of the pro-self-pub tub-thumpers.

What I'm waiting to happen is for some kind of promotion network to rise up and assume the de facto position of providing advertising and distribution for self-published authors. So far it falls largely to the author himself, which means he's at the mercy of having to buy airtime or ad space out of his own pocket. Twitter and Facebook can be used to generate buzz, but only up to a point. As long as most people find out about their reading tastes by reading what most other people are reading, they're going to be stuck at the margins forever.
jimhines
Feb. 14th, 2011 03:36 pm (UTC)
There's a lot I don't know about the self/e-publishing scene right now. I get the sense there's a kind of community of e-readers, especially with Kindles. (The Kindleboards get mentioned a fair amount, for example.) I don't know where things are going to end up, but right now as we muddle through this transition/evolution phase, that seems to be where some of the advertising/gatekeeping takes place.

But like I said, there's a lot I don't know, so I could be utterly wrong on this one.
(no subject) - sixteenbynine - Feb. 14th, 2011 03:40 pm (UTC) - Expand
beth_bernobich
Feb. 14th, 2011 03:13 pm (UTC)
I never understood the need to bash commercial publishing. The editors and agents I know love reading, love books, and love to find new authors. They aren't perfect, and some are less perfect than others, but as you pointed out, that's not the private domain of publishers.
sinboy
Feb. 14th, 2011 03:24 pm (UTC)
Ever meet someone who handled rejection *really* badly? That's why.
(no subject) - jimhines - Feb. 14th, 2011 03:28 pm (UTC) - Expand
prusik
Feb. 14th, 2011 03:18 pm (UTC)
Thank you so much for writing this. Hearing self-published e-authors use the words "traditional publishing" drives me up a wall because they are (unintentionally) legitimizing the language used by the likes of PublishAmerica.

Actually, it's not just self-published e-authors. I hear it all the time on, for example, the Adventures in SciFi Publishing podcast. The interviews on the podcast are terrific, but the pre-interview segments sometimes co-opt the language of vanity presses to talk favorably about e-publishing.

I'd thought the last thing supporters of e-publishing would want is to conflate themselves with vanity presses. Apparently, I'm just wrong about this because it happens all the time.
ankewehner
Feb. 16th, 2011 12:31 pm (UTC)
So, what would you call the opposite of self-published?
(no subject) - jimhines - Feb. 16th, 2011 12:33 pm (UTC) - Expand
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martyn44
Feb. 14th, 2011 03:30 pm (UTC)
I'm presently going through a novel that will be coming our soon as an enovel through an established indie publisher. I am going through it with his editor. She's working hard with the polish. She is making my novel better than it was.

I've just finished working through revisions suggested by my agent on another novel. He, too, worked furiously with the polish. It is a better novel after his work than it was before.

I don't know how the enovel will sell, but I'm confident that the publisher will be doing his damndest to get it out there in front of the people who might want to buy it. He's an experienced publisher. I believe he knows his job, just as I believe Amanda and John know theirs. My only doubt is whether I know mine and I'm very, very glad to have their help. I'll be the one getting any glory (and, I hope, my contracted royalties) but will I have been the only one earning that glory?

You know the answer to that.
sylvanstargazer
Feb. 14th, 2011 03:31 pm (UTC)
So much of this ends up sounding personal, sort of: "They didn't recognize my genius!!! They will be sorry when I hold the world ransom for Twenty Bazillion Dollars make a thousand dollars overnight!! Muhahahahhaha!!!" Then you get to sell your book to everyone else who's genius wasn't recognized at the Under-Appreciated Geniuses meeting next month. Which isn't to say that there aren't good books out there that get published, and I've certainly had the misfortune of buying terrible books that did, but the people taking rejection personally are not going to found a lasting movement.

(I do buy books from small presses relatively frequently, like Kegedonce Press (http://www.kegedonce.com/), that would probably not be published by a mainstream press. But most of those books I'd never have found if they weren't published by a press who's taste I've agreed with in the past.)

So yeah, mostly I ignore anyone who talks like that even if I agree with them.
sixteenbynine
Feb. 14th, 2011 03:42 pm (UTC)
Yes, it definitely has a lot of that flavor. The Unrecognized Lone Genius is a trope I run into a lot in the self-pubbed circles. I almost ended up like that myself, which is why it's all the more sobering and chilling when I run into other folks being that obstinate.

Bitterness is never a good foundation for creativity.
(no subject) - sylvanstargazer - Feb. 14th, 2011 03:46 pm (UTC) - Expand
cathshaffer
Feb. 14th, 2011 03:47 pm (UTC)
It's because they are catering to an audience of aspiring writers, and that is what aspiring writers want to hear. They don't want to hear that they have to work to improve their craft, and keep trying over the long term. They want to hear that there's a quick and easy solution and that they don't have to change anything they are already doing.
barbhendee
Feb. 14th, 2011 04:19 pm (UTC)
Yes! This is exactly what's happening. It just drops my jaw.
(no subject) - burger_eater - Feb. 14th, 2011 06:15 pm (UTC) - Expand
(no subject) - mtlawson - Feb. 14th, 2011 07:14 pm (UTC) - Expand
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otterdance
Feb. 14th, 2011 04:08 pm (UTC)
"The people who are only in it for the money and wouldn’t know a good story if it hugged their face and planted a book that burst out of their chest a few days later."

LOL! Good one.
barbhendee
Feb. 14th, 2011 04:18 pm (UTC)

Oh, Jim, this exactly how I feel too. Seriously, you just summed up my thoughts on this entire situation perfectly.
margaret_y
Feb. 14th, 2011 04:24 pm (UTC)
What bothers me more is the people who talk out of two sides of their mouths. First they tell you how terrible "the system" is and how they are going to circumvent it by going outside of it. In the next breath, they say, "I will sell so many copies, NY publishers will be banging on my door!" Sometimes it's the less harsh, "I'll just get this one out there and then I'll have a 'publishing credit' behind me when I write the next novel."

Setting aside for a moment the fact that a self-pubbed novel is not a publishing credit, or the fact that one does not need 'publishing credits' to sell a first novel, it seems that the rebel writer is trying to get the attention of big, mainstream publishers by dissing said publishers. So, "I will beat them at their own game! Then...join them!" It makes no sense.
scrambledbeth
Feb. 14th, 2011 04:26 pm (UTC)
I think the bash-traditional-publishing thing is happening so much because it gets attention, and attention is what these authors need. Positioning yourself as an expert on the wave of the future looks like a higher platform than just describing your new epublished novel. They're joining a discussion that is hot right now, hoping to boost their bandwidth.
sarraceniaceae
Feb. 14th, 2011 04:57 pm (UTC)
Pretty much by definition, if you spend most of your time bashing the other side rather than defining your own, you don't have much of a side.

I've been dipping my toe into self-pubbed ebooks, and mostly I've been fairly unimpressed at the quality. Hilariously bad, yes. (I admit I occasionally seek this out, because nothing cheers me up like gay butterfly-winged elves who keep forgetting about the guy trying to kill them for more over the top sex, and will gladly pay two dollars for stuff that looks to be hilariously over the top bad.) Good enough to make me buy more by that author or mention it to a friend, not really. Most of the more over the top rhetoric I see about it just make me wish they'd be more realistic about their writing skills, to be honest.
shanrina
Feb. 14th, 2011 07:26 pm (UTC)
I really hate it when I see all the commercial publishing bashing. I'm not particularly inclined toward e-publishing or self-publishing anyway, but all the negativity is still such a huge turnoff for me. I've come across several people who have attacked my decision to start by actually submitting to agents instead of just putting my work out there for readers to see.

I doubt I would have been convinced even if those people I spoke with had been more positive because of my own particular situation (I have few resources, so I can't just spend money on things like cover art, and I really hate computers). But by going the negative route, both the people I've encountered and the people you're talking about are probably turning some people off. I think as more people become invested in author blogs and seeing what goes on behind the scenes fewer people will be willing to buy into this sort of rhetoric. Or at least that's what I'm hoping, anyway.
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